Athens Digital Arts Festival 'TECHNO(S)CENE' from 16 to 26 May 2024 by Amanda Rice

16-26 May 2024
Santaroza Former Court (48 Stadiou & Arsaki)
Justice Square (Arsaki & Panepistimiou)

The Athens Digital Arts Festival, the first and largest international platform for digital arts in Greece, celebrates two decades of creation and digital innovation in contemporary art with a special anniversary event in two emblematic venues in the heart of Athens. From 16 to 26 May 2024, the former Santarosa Courts and Justice Square will be transformed into a vibrant stage of artistic expression and technological experimentation, hosting the 20th Athens Digital Arts Festival under the title "TECHNO(S)CENE".

ADAF 2024: TECHNO(S)CENE celebrates the rich history of digital art and the festival while focusing on the future of digital culture. Inspired by concepts such as technocene and technoscience, as well as the dynamic scene of digital culture, this year's event explores the profound impact of technology on our lives, recognizing it not just as a tool but as a pervasive force that shapes our perceptions, creative expressions and our very existence.

Artists, scientists, technologists and intellectuals from different backgrounds and communities compose a rich program of immersive experiences in a special place with a rich history: the Former Santarosa Courts in Justice Square. Where in the 19th century the explosive sounds of the work machines of the National Printing House dominated and in the 20th was a meeting point of Athenian society, it is now becoming a living hub of creativity.

At the 20th Athens Digital Arts Festival, artists redefine the boundaries of human creativity through enchanting digital landscapes that leave viewers speechless. Impressive installations, unique performances and exciting screenings, speeches and tributes form a multidimensional experience for the audience around digital culture. Whether humans, artificial intelligence or hybrids thereof, creators offer different perspectives on the transformative power of technology, sparking debate about the future of art, science and society in the age of the digital revolution.

With more than 3,000 artistic proposals from 106 countries and distinguished guests from the international art scene, the 20th Athens Digital Arts Festival promises a unique multimedia digital art experience, embodying the spirit of innovation, creativity and inclusiveness that has defined the festival for two decades.

We are waiting for you to celebrate the digital revolution on the "stage" of the 20th Athens Digital Arts Festival.

For more information and the detailed program at 2024.adaf.gr.

Exhibition, Event and Gathering WITH Askeaton Contemporary Arts and Publics, Helsinki by Amanda Rice

PUBLICS
Sturenkatu 37-41 4b
00550 Helsinki – FI

May 4th 2024

With is an exhibition, and event and a gathering…
With artists, artworks, books and words, somehow related
With Seanie Barron With David Beattie With Jes Fernie With Michael Holly With Aino Lintunen, With Amanda Rice With Elina Vainio, and With others, somehow related
With Askeaton Contemporary Arts from a small town in Limerick, Ireland and With PUBLICS in Helsinki, Finland as co-curators, somehow related
With the artists organised With other artists, somehow related
With arrangements of artworks With other artworks, somehow related
With thoughts through which these arrangements With artists, artworks and ideas With others are made to be, somehow related
With its curators, artists and others talking With each other about these things, and the nature of things, somehow related
With some ideas of things, and the nature of things amongst other things, somehow related
With a set of relations With, of, and between people, nature, things, and material ideas, somehow related
With as an affinity With all of these things, and their nature, somehow related
With these, With them, With you, and With others, all somehow related.

WITH Askeaton Contemporary Arts is the first event of a new expanding series of curatorial collaborations, projects or pairings, where PUBLICS comes together with another institution because of common or overlapping ideas, interests and concerns.

Our first collaboration WITH Askeaton Contemporary Arts takes place at PUBLICS on May 4th 12-4.30pm. Welcome to the exhibition opening event with a day long programme.

Schedule of the day

12.00pm Introduction to Askeaton Contemporary Arts with Michele Horrigan and Sean Lynch

12.30pm Paul O’Neill and in conversation with the artist Aino Lintunen and artist/curator Sakari Tervo.

1.00pm Seanie Barron in conversation with Michele Horrigan

1.30pm Refreshments

2.00pm David Beattie, Michael Holly and Amanda Rice in conversation with Sean Lynch

3.00pm Jes Fernie. Book Launch, reading, and in conversation.”Things Left Undone, Unsaid, Uncelebrated, Unplanned, Unfinished.”

Askeaton Contemporary Arts, an artist-led organisation from southwest Ireland, are in residency at PUBLICS, bringing a cohort of artists associated with their ongoing programme to audiences and the artistic community in Helsinki. Collectively entitled WITH Askeaton Contemporary Arts, this initiative showcases an intentional group of people living together, co-operating and sharing common interests, resources and work in the Irish countryside.

Emphasising oral histories, little known folklore and explorations of urgent ecological research, Seanie Barron’s bespoke walking sticks, Jes Fernie’s explorations of the ups and downs of being an artist working in Ireland, David Beattie’s deep listening of ancient monuments feature. Michael Holly introduces his mapping of contemporary Irish landscapes and ecologies are presented beside Amanda Rice’s spiralling narratives of extraction abroad by the Irish diaspora. More exchanges of artistic experience and social encounter feature in Michele Horrigan and Sean Lynch’s continuing curatorial and publishing activities, researching Askeaton Contemporary Arts’ role and position in contemporary Irish and European society.

PUBLICS invites Finnish artists Aino Lintunen and Elina Vainio to exhibit WITH the Askeaton Contemporary Arts. Lintunen’s and Vainio’s recents works draw upon some loose commonalities, relational connections, kinds of woodiness of materials and processes, and will be joined by artist curator Sakari Tervo who runs the exhibition platform Pitted Dates, in conversation with Paul O’Neill.

This event is supported by The Arts Council of Ireland’s International Residency Initiative Scheme and The Embassy of Ireland, Finland.

Please read more below about Askeaton Arts and the individual artists.

Bios

Askeaton Contemporary Arts
Since 2006, Askeaton Contemporary Arts commission, produce and exhibit contemporary art in the locale of a small town in County Limerick, Ireland. An artist residency programme situates Irish and international artists in the midst of Askeaton each summer, while thematic exhibitions, publications and events often occur. Through these methods, over one hundred artists’ projects have been realised.

With no ‘white-cube’ gallery spaces in Askeaton, artists work in public spaces throughout the town. This form of engagement focuses on the existing dynamics of the locale, intending to bring forward the diverse layers of daily life and create a rich framework for subjective encounters. Local audiences are often actively implicated into the development of projects through their assistance or participation. Such an approach is built on a belief that contemporary art can be used as an active hub for local society, as a form of critique, investigation and celebration with artists at the centre playing a primary and fundamental role.
https://askeatonarts.com/information

Michele Horrigan
Michele Horrigan is curator, director and founder of Askeaton Contemporary Arts since 2006. She works as an artist, with exhibitions at EVA International, Limerick and Tenerife Espacio de las Artes, and maintaining an active publishing practice.

Sean Lynch
Sean Lynch is an artist working with sculpture and video. A long time Askeaton resident, he represented Ireland at the Venice Biennale in 2015, and recent solo exhibitions include Edinburgh Art Festival, Henry Moore Institute, Leeds, Douglas Hyde Gallery, Dublin, and Modern Art Oxford.

Seanie Barron
For decades, Seanie Barron has been carving and shaping wood in a workshop at the back of his house in Askeaton. His walking sticks and sculptures are borne out of a lifelong understanding of nature and often-humorous interpretations of the environment around him. He roams around Askeaton, looking for the right branch left in a field or underneath a bush, to then shape into surreal forms referencing seahorses, weasels, dancers and ice skaters. Many double as whistles, or incorporate found objects such as coins, bullets and animal bones.

David Beattie
David Beattie is an artist and lecturer based in Dublin. Beattie’s artistic practice explores the material world through experiential, physical engagements with objects and non-objects. Recent projects have focused on the social and environmental impact of digital technologies, agroecology, psychoacoustics and the communal listening experience. He was awarded the Harpo Foundation Award in 2010 and has recently presented his work in Derry, Pittsburgh and Carlow. 

Jes Fernie
Jes Fernie is an independent curator, writer and lecturer based in the UK. She is interested in the social, political and environmental context in which art is made, situated, and viewed. In 2021 she launched the Archive of Destruction, a research project that brings together narratives around public sculpture that has been destroyed by rage, boredom, fear, greed and love. 

Michael Holly
Michael Holly is an artist, filmmaker, researcher, and lecturer in filmmaking at the University of Sussex. His work often focuses on troubled human interactions with land, ecologies, and histories. Michael is a regular contributor to Askeaton Contemporary Arts and works in collaboration with filmmaker Mieke Vanmechelen.

Aino Lintunen
Aino Lintunen is a visual artist based in Helsinki. She works with painting, text and sound. Lintunen has studied at the Academy of Fine Arts, Uniarts Helsinki (MFA), Aalto University, Helsinki (MA) and the Slade School of Fine Arts in London. She is part of the working group of artist-run space SIC, located in Helsinki.

Amanda Rice
Amanda Rice is an artist and filmmaker based between London and Belfast. Her films are a combination of observational documentary techniques, staged scenarios combined with modes of both investigative and nonlinear storytelling which explore material histories related to ecological subject matter. Her films have been presented at Eva International Biennial (Ireland), Flux Factory (New York), CCA Glasgow, and the Irish Film Institute (Dublin). 

Elina Vainio
Elina Vainio is a Helsinki-based visual artist working with a wide range of approaches to varying materials. Her works often draw attention to human-centred worldviews, questioning how and through what kinds of lenses we come to perceive things and ultimately our place among everything. Vainio regularly collaborates with other artists and is currently a member of an experimental art collective Nomadic Kiln Group. Vainio has graduated from the Uniarts Helsinki’s Academy of Fine Arts and the Chelsea College of Art. Her works have been shown, for example, at Lappeenranta Museum (2023); HAM – Helsinki Art Museum (2021); Wäinö Aaltonen Museum (2020); Museum of Contemporary Art Kiasma (2019) and Gwangju Biennale (2018).

Sakari Tervo
Sakari Tervo is an artist-curator who runs the exhibition platform Pitted Dates and works as a university teacher at Aalto University. He has co-directed artist-run spaces Titanik (Turku) & Sorbus (Helsinki). For Tervo, art is a social weave where other possible worlds exist.

'Spirit Messages' aemi 2024 touring show @ the Model Sligo by Amanda Rice

Spirit Messages; curated by aemi @ the Model Sligo - Sat. 23 Mar. – Sat. 4 May 2024

‘Spirit Messages’ is aemi’s 2024 touring programme, an annual selection made to bring together some of the most exciting new moving image work by Irish and international artists. Alongside a variety of other concerns, the artists featured in this programme employ a diverse set of creative strategies to reveal an interconnected world, one in which the medium is not just the message but the means through which the paranormal can engage our attention. From folk tales to esotericism, poppers training videos, horror flicks and sci-fi, the films in ‘Spirit Messages’ draw from an eclectic array of sources to suggest that the idiosyncratic forms of communication we adopt are often choices that are as subversive as they are functional.

Film information

Running Time: 66 minutes

Dan Guthrie, Coaley Peak (A Fragment)

2021, United Kingdom, 16mm/digital, 6.5 minutes
Dan Guthrie’s idea with Coaley Peak was to make a film about Blackness and belonging in the English countryside, taking a family photo of some of his relatives at the Gloucestershire viewpoint Coaley Peak as a starting point. Whilst making the film, something happened.

Jamie Crewe, False Wife

2022, United Kingdom, digital, 15 minutes
False Wife is a poppers training video, but its material is obscure. Its narrative is drawn from a variety of folk tales in which transformation occurs, and relationships happen. Its footage is scavenged from sources that reflect these themes, reduced to slivers of significant imagery, rubbed together.

Amanda Rice, The Flesh of Language

2023, Ireland, 16.5 minutes
The Flesh of Language examines humanity’s impact on Earth’s ecosystems through the lenses of two interrelated mechanics of capitalism: extraction and overproduction.

Niall Cullen, The Dog Who Became a Frog

2023, Ireland, digital, 6.5 minutes
The Dog Who Became a Frog delves into the interconnectedness of our world by exploring the idea that every living thing shares the same energy force.

Luis Arnías, Terror Has No Shape

2021, Venezuela / United States, 16mm/digital, 10 minutes
Terror Has No Shape follows a mysterious and grotesque, viscous creature. The film fragments the American horror and sci-fi genres to bring the terror of the lived personal and collective experience of racial trauma to the surface. Through effigy, these horrors materialise and are burned.

Ross McClean, Echo

2023, Ireland/United Kingdom, 16m/digital, 12 minutes
An operation 10 years ago left Allister with damaged vocal cords and an obstacle to communication. His unusual solution reminds us that community thrives in surprising places.

The Flesh of Language added to Arts Council of Ireland Collection by Amanda Rice

Really thrilled to announce that my film ‘The Flesh of Language’ has been acquired by the Arts Council of Ireland for their collection!

Announcement from @artscouncilireland on Instagram

We are pleased to share details of artworks recently acquired for the Arts Council Collection.


Our Collection dates back to 1962 and now comprises almost 1,400 works of art. Works from the Collection can be seen in public buildings, galleries and museums across Ireland and internationally.

Works are acquired following a rigorous process, with the final decisions made by the Collection Acquisitions Committee, made up of Council members, independent artists and curators.

In the most recent round of acquisitions, works by 24 artists were added to the Arts Council Collection, including:

Amanda Rice | ‘The Flesh of Language’ 2023 | Edition of 5 + 2 AP | Projected DCP & MP4 4K Video with sound | Duration: 16 min

Soft Tissue: Feeling-through Precarious Times at Metroland Cultures by Amanda Rice

Happy to be screening an offering as part of Soft Tissue: Feeling-through Precarious Times with Squishy Collective.

25th Nov- 10th Dec, Metroland Cultures, London  

Step into a circle of sculptures, materials, films, sounds and texts that offer and open up gestures, rituals and ideas for navigating precarious times. Can material be used to metabolise harm? Can physical processes help us sense inner emotional worlds? What constitutes ’safe’ touch’? How can touch be used to rehearse different ways of being and doing? Can a text be tactile…and why should it be?

The Squishy Collective are a research group-circle-coven who formed in April 2021 and have been meeting online ever since, convened by artist and Metroland studio resident Becky Lyon. Comprised of sensuous ecologists, fizzy researchers, haptic writers, mermaid-whisperers, clay-crafters and generative gesturers, together they share methods drawn from art research to explore the intersection of touch, tactility and practices of care as part of a toolkit for navigating precarious times.

Exhibits and invitations will touch on milky motherhood, uncanny bodies, visceral clay, fleshy language, haptic ice and visibilising atmosphere among other subjects and are generously offered by: Abigail Fletcher-Drye, Amanda Rice, Anastasia (A) Khodyreva, Becky Lyon, Catherine Monahon, Eliza Bennett, Georgia Perkins, Natasha Sabatini, Rhona Eve Clews, Rosina Godwin and Kate Langrish-Smith.

aemi @ CIFF: Spirit Messages by Amanda Rice

Delighted to be part of aemi’s touring programme for 2024!

The world premiere of ‘Spirit Messages’ – aemi’s 2024 touring programme, receives its theatrical debut at the 68th Cork International Film Festival.

19 November 2023 / 20:30 / Triskel Arts Centre

Curated by aemi for CIFF 2024 ‘Spirit Messages’ is an opportunity to spotlight some truly exciting moving image works by a range of Irish and international filmmakers. The programme includes premieres of three new Irish works by Amanda Rice, Niall Cullen and Ross McClean alongside works by artists Jamie Crewe, Luis Arnias, and Danh Guthrie. aemi are excited to have their ‘Spirit Messages’ programme screen for the first time at CIFF before it begins an extensive national and international tour in 2024.

Film information
Dan Guthrie, Coaley Peak (A Fragment), 2021, United Kingdom, 16mm/digital, 6.5 mins
Jamie Crewe, False Wife, 2022, United Kingdom, digital, 15 mins
Amanda Rice, The Flesh of Language, 2023, Ireland, 16.5 mins
Niall Cullen, The Dog Who Became a Frog, 2023, Ireland, digital, 6.5 mins
Luis Arnías, Terror Has No Shape, 2021, Venezuela / United States, 16mm/digital, 10 mins
Ross McClean, Echo, 2023, Ireland/United Kingdom, 16m/digital, 12 mins
Running time: 66 mins

Still from Terror Has No Shape (2021) by Luis Arnías. Image courtesy of the artist.

Screening as part of 'Glossaries for Forwardness' a project by Marie Farringdon by Amanda Rice

This event is a part of the public programme for Glossaries for Forwardness, a multi-platform project by Marie Farrington, examining convergences between landscape and memory through the architecture of the Museum Building in Trinity College Dublin. To expand on the exhibition's themes and offer fresh perspectives from different art practices, we will be hosting an evening of screenings, including Ghost Strata by Ben Rivers, No One Can Ever Embargo the Sun: Light, Silver and Land by Amanda Rice and an in-person presentation by Eco Showboat.

Thursday, September 21 · 6:30 - 8:30pm IST

Location: Teatar M. Uí Chadhain, Arts Building Trinity College Dublin Dublin Ireland

This event is co-curated by Marie Farrington, Rachel Botha and invited artist, and member of The Douglas Hyde's Student Forum, Emily Miller.

This event is wheelchair accessible. If you have any access needs for this event please don't hesitate to get in touch with Rachel Botha at bothar@tcd.ie.

Kindly supported by LUX and The Douglas Hyde Gallery.

Booking Link