Periodical Review 14—A Language to Shout In
6/12/24 - 25/01/24
Selected by Miguel Amado, Valeria Ceregini, Mark Cullen & Gavin Murphy
Basil Al-Rawi, Kian Benson Bailes, Ceara Conway, Sarah Durcan, Farouk858, Shane Hynan, Sarah Long, Samir Mahmood, Riki Matsuda, Yvonne McGuinness, NAMACO (Han Hogan and Donal Fullam), Yuri Pattison, Amanda Rice, Sonia Shiel, Laura Skehan, Pádraig Spillane, Frank Sweeney, Anne Tallentire, Kathy Tynan, Amna Walayat
Essay by Diana Bamimeke
Preview
6–8pm, Friday 6th December 2024
Gallery hours
12–6pm, Wednesday*–Saturday
7th December 2024 – 25th January 2025
Closed from 22nd December – reopens 8th January
Periodical Review (2011–ongoing) is a long-running curatorial project which sets out to consider, revisit and review current movements within contemporary art practices from around Ireland. Intended as a space for critical appraisal and consolidation of ideas and knowledge, the aim through each subsequent edition is to facilitate and encourage new readings, collaboration, crossover and debate. Not a group exhibition per se, Periodical Review is a discursive action, with the gallery presented as a journal, a magazine-like layout of artworks in dialogue, the field talking to itself.
With each iteration PP/S invites two peers – curators, artists, writers, educators – to consider the artworks, exhibitions and projects they encounter over the course of a year and then nominate what was for them, significant practices, works, activity, moments, selected via an editorial process. Within this exhibition framework – a constantly shifting series of subjective viewpoints and positions (geographical, personal, political, institutional) – curatorial unity cannot be prescribed, threads or movements can only occur.
In looking at self-organised exhibitions, off-site, artist-led and independent projects, commercial galleries, museum shows, performances and publications, Periodical Review looks to present the complex and heterogeneous span of visual art in Ireland, creating dialogue and critical reflection amongst peers and between practices, to help develop and engage Irish contemporary art as a whole. In doing this, it can also act as an accessible survey of contemporary art, expanding access to and experience of new art practices from around Ireland to a wider audience.
In addition to curator’s texts which provide context for their selections, the exhibition is accompanied by an essay commissioned in collaboration with Paper Visual Art Journal. The PPS/PVA Visual Art Writing Commission is intended to further discourse on the contemporary moment in visual art in Ireland, while also building into a record of art practice, projects, and concepts over time.
